Gaslight (1. 94. 4) - Articles - TCM. Gaslight (1. 94. 4)SYNOPSISPaula Alquist, a wealthy socialite, falls in love with the dashing Gregory Anton. The two marry, and after their return from a romantic Italian honeymoon, Anton insists they live in Paula's childhood home, the place where her aunt, a famous opera star, was murdered. Unknown to Paula, the murderer is still on the loose. In fact, it's her husband and he's currently devising a diabolical trap for her. Anton slowly begins to drive Paula insane in order to commit her to an asylum, leaving him in possession of her family home where her aunt's cache of priceless jewels are hidden. He moves objects in the house, convincing Paula she's misplaced them, and then plants his own possessions in hiding places in order to accuse her of stealing them. Late at night, while pretending to go out for a walk, Anton actually sneaks back into the sealed- off upper floor, sending his wife into hysterics by dimming the gas lights in the home and terrorizing her with ghostly footsteps. Yet, despite Paula's isolated existence, she manages to find an unexpected ally in Brian Cameron, a suspicious Scotland Yard detective. Director: George Cukor. Producer: Arthur Hornblow, Jr. Screenwriter: John L. Balderston, Walter Reisch, John Van Druten. Cinematographer: Joseph Ruttenberg. Get more information about Gaslight on TMDb. In the late 19th century, Paula Alquist is studying music in Italy, but ends up abandoning her classes because she's fallen in love with the gallant Gregory Anton. Buy the Gaslight (1944) DVD from the Warner Bros. Available for the first time on DVD from WBshop.com. Read articles and publications about Gaslight, 1944, directed by George Cukor, with Charles Boyer, Ingrid Bergman, Joseph Cotten. Overview of Gaslight, 1944, directed by George Cukor, with Charles Boyer, Ingrid Bergman, Joseph Cotten, at Turner Classic Movies. Uncover detailed information about Gaslight (1944). Explore interactive visualizations and rich information about the cast, ratings, awards, photos, plot, and more. I’m not into scary movies (not even a little bit), but since it is Halloween Paula's aunt Alice Alquist, a famous entertainer, is murdered in her home. Paula, who lives with her aunt finds the body. Police fail to find the killer and Paula is sent away to school. Ten years later, Paula. Gaslight (1944) DVD Movie 1944. Important Made in USA Origin Disclaimer: For certain items sold by Walmart on Walmart.com, the displayed country of origin information may not be accurate or consistent with. Composer: Bronislau Kaper. Editor: Arthur Williams, Ralph E. Winters. Art Director: William Ferrari, Cedric Gibbons. Costume Designer: Marion Herwood Keyes, Irene Cast: Charles Boyer (Gregory Anton), Ingrid Bergman (Paula Alquist), Joseph Cotten (Brian Cameron), Dame May Whitty (Miss Thwaites), Angela Lansbury (Nancy Oliver). BW- 1. 14m. Descriptive video. Why GASLIGHT is Essential. Romantic young heroines who are threatened and terrorized (or imagine themselves to be) by the man they love were a staple of films in the forties. Joan Fontaine was put through that wringer twice by Alfred Hitchcock, in Rebecca (1. Suspicion (1. 94. The treatment was also doled out to Katharine Hepburn in Undercurrent (1. Elizabeth Taylor in Conspirator (1. Barbara Stanwyck in Sorry, Wrong Number (1. While the above films have their merits, Gaslight is easily the most effective entry in the young- wife- in- distress category. Hitchcock's Suspicion, in fact, is a bit of a cheat since the husband turns out to be completely innocent of his suspected crimes. Based on a hit London stage melodrama, Gaslight was first put on film in 1. Anton Walbrook and Diana Wynyard in the leads. Some critics today prefer this nearly forgotten British version, partially because it played so effectively on the subtle cruelties of the English class system. But the 1. 94. 4 MGM release remains popular and acclaimed for its mounting sense of terror, aided in no small part by the strong, moody direction of George Cukor, known for coaxing superlative performances from his actors, particularly the female cast members. Ingrid Bergman, who had long coveted the role of the tormented wife being driven insane by her husband in Gaslight, went after the role at MGM after resident star Hedy Lamarr turned it down. Bergman almost missed her chance when Selznick initially refused to loan her to MGM unless she was given first billing over costar Charles Boyer. When Boyer refused to budge on the matter, Bergman went to Selznick in tears begging him to reconsider - which he finally did. Gaslight won an Oscar. The film marked the movie and acting debut of Lansbury, who had been working in a Los Angeles department store before being cast as Nancy, the maid. Director George Cukor was instantly impressed by the fledgling actress's talent and professionalism, and prevailed when the studio resisted hiring her because she wasn't . This version still turns up occasionally on Turner Classic Movies. Gaslight was referenced in the TV movie A Slight Case of Murder (1. William H. Macy plays a film critic who tries to cover up the accidental death of his lover. A similar plot device was used in the movie Hush.. Hush, Sweet Charlotte (1. Olivia de Havilland and Joseph Cotten (one of the original cast members of Gaslight) attempt to drive Bette Davis mad in order to take possession of her home and money. Mayer, determined to eliminate the competition for what was expected to be one of the studio's biggest hits of the year, ordered all prints of the 1. British version purchased and destroyed. Prints, however, did survive, and the film turned up again in the 1. Angel Street. Jack Benny did a spoof of the movie on his TV show in the 1. MGM brought an infringement suit against Benny, but the comedian's lawyers argued the skit was in the realm of parody and therefore not a copyright violation. The British play on which Gaslight was based, Angel Street, was produced on Broadway in 1. Vincent Price and Judith Evans. Screenwriter John Van Druten was also a successful playwright and many of his plays were made into movies: I Remember Mama (1. Bell, Book and Candle (1. Cabaret (1. 97. 2, based on his play I Am a Camera, which was made into a movie in 1. His play Old Acquaintance became a Bette Davis movie in 1. George Cukor as Rich and Famous (1. Ingrid Bergman won her Oscar. Mary's (1. 94. 5) with previous Oscar winners Bing Crosby and director Leo Mc. Carey. In her acceptance speech, she said, . And I'm afraid if I went on the set tomorrow without an award, neither of them would speak to me. She hated doing passionate takes with a leading man she barely knew. Years later, making the movie Goodbye Again (1. Anthony Perkins who played her younger lover. Before shooting began, Bergman invited Perkins into her dressing room and asked him to kiss her so she wouldn't blush and feel uncomfortable when the cameras rolled for their first love scene. During the production of Gaslight, Boyer's wife, Pat, was pregnant after many years of trying to have a baby. Bergman said Boyer was always rushing to the phone to check on his wife as the expected birth date drew near. The couple thought the baby wouldn't arrive until after filming, but their only son, Michael, was weeks early. One day, Boyer rushed to the phone and came back with tears streaming down his face. Pat had delivered while he was on the set. The cast and crew immediately opened bottles of champagne. In the big confrontation scene between the chambermaid and the lady of the house, Lansbury was required to light a cigarette in defiance of her mistress's orders. But because she was only 1. When her 1. 8th birthday arrived, Bergman and the cast threw her a party on the set, and the scene was done shortly after. Boyer opened a French library in Los Angeles and formed a French society there. Bergman placed number 3. Empire magazine's list of the 1. Sexiest Stars in film history in 1. Compiled by Rob Nixon Famous Quotes from GASLIGHTPaula (Ingrid Bergman): Suddenly, I'm beginning not to trust my memory at all. Gregory (Charles Boyer): Jewels are wonderful things. They have a life of their own. Miss Thwaites (Dame May Whitty): It's an odd household, too. That maidservant most impertinent. I can't get a thing out of her. She won't talk to me, though she would quick enough if I wore trousers. The way she carries on with that policeman on the beat. Paula: Gregory, are you trying to tell me I'm insane? Gregory: It's what I'm trying NOT to tell myself. Paula: If I were not mad, I could have helped you. Whatever you had done, I could have pitied and protected you. But because I am mad, I hate you. Because I am mad, I have betrayed you. And because I'm mad, I'm rejoicing in my heart, without a shred of pity, without a shred of regret, watching you go with glory in my heart! Compiled by Rob Nixon. Gaslight (1. 94. 4)The Big Idea Behind GASLIGHTGaslight was based on a successful London stage production of 1. Angel Street, by Patrick Hamilton. A British production was filmed by director Thorold Dickinson in 1. The adaptation by John Van Druten, Walter Reisch and John L. Balderston was very faithful to the original. Although the heroine, Paula, is one of her best- known roles and the one that earned her the first of three Academy Awards, Gaslight was almost not an Ingrid Bergman picture at all. The story was bought in 1. Columbia Pictures as a vehicle for Irene Dunne. Metro later acquired the rights, intending it for Hedy Lamarr. Cukor, however, wanted Bergman, but the increasingly fragile and disturbed young wife was not a role independent producer David Selznick wanted to allow his hottest contract star to take on. Bergman herself had doubts; she was a tall, strong, robust young woman and feared she couldn't pull off the frailty required of the character. But Cukor convinced her that was exactly what he was looking for. You have to avoid letting people play scenes before you get to them. It would have been dangerous to cast the kind of actress you'd expect to go mad, the kind you know from the first moment you're in for a big mad scene. The next big hitch came when Charles Boyer's management insisted on top billing for the French star, who was then the . It was an uncharacteristically villainous role for Boyer, which made it all the more attractive to him. First and foremost an actor of integrity and taste, Boyer later welcomed the receding hairline and slight paunch of middle age that would break him out of the romantic . With Gaslight he saw one of his earliest opportunities to stretch, but he had also been a star several years longer than Bergman, and his agent felt taking second billing would be seen as a sign that his prestige was fading. But Selznick was adamant if one of his top stars was to be loaned out to the biggest and most glamorous studio in Hollywood, she would have to get prime billing. It also helped that MGM promised to beef up the role of the Scotland Yard detective assigned to Joseph Cotten, another Selznick contractee, and put his name above the title as well.
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